Sunday marked my second visit to Shaw Fest 2017, this time to see the much-anticipated Madness of King George III by Alan Bennett. This is the first season under the artistic direction of Tim Carroll who is on some kind of mission to completely erase any trace of former director, Jackie Maxwell.
We are going through a period of overindulgence. It starts innocently enough by staging a 19th century costume drama in the present day. I'm good with that. However, let us not discuss the modern staging of Macbeth--Africa at Stratford Festival. We then bring characters on stage to interact with the audience while they take their seats followed by audience participation and before you know it, the house lights are up for 2:45 hours and you're paying more attention to the on-stage audience than to the actors.
In describing the new season's philosophy, Carroll uses the analogy of a garden, giving full license to directors to express this philosophy and continue throughout the season to revisit the play and see how things evolve (grow). As one reviewer noted, very few of us are likely to see a play twice in one season. And isn't the purpose of previews to iron out the kinks? Isn't that why we have preview pricing?
Sadly, this production has evolved into a panto. Panto is at best ludicrous comedy, frivolous farce, and ramshackle antics. All descriptions found in the following reviews.
Nestruck at The Globe and Mail
Smith at The Hamilton Spectator
Alan Bennett's words require minimal staging. A reading of George III was performed at Stratford years ago. No costumes, no lights, no bloated production.
I do welcome cast and creative introducing the shows this season. For most of us, the people in black are a mystery; it's nice to see fresh faces and get their perspective. And it's a good idea to go beyond the playbill although Shaw Fest does produce a comprehensive playbill. How cosy do we want to get, though?